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I became serious about
making pottery in the early 1970's after beginning my career in art history.
The plasticity of the material and the rhythmic process of forming pots on
the wheel drew me in. For me, pottery seemed to be very much about
movement, rhythm, and gesture. The fact that pots could also be used in
daily life was a big bonus, providing a manner of meaningful communication
within a domestic setting. I was taken with the idea that
straightforward pots made simply and quickly could speak in an authentic
and extraordinary way. While this approach to making pottery is still valid
and meaningful to me, I have recently been developing
applied patterns with wax resist and layered glazes. A recent trip to China
has also piqued my interest in porcelain and celadon glazes. |
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While I had
worked with clay in a sculptural manner early in my ceramic education, my
interests in hand-built form became serious in the late 1980's, when I began
to make coiled, stoneware sculpture. Since then, I have continued to make
both pottery and sculpture, extending my interests into the wood-firing
process as well as into earthenware with terra sigillata slips. |
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Education:
M.F.A.,
University of Notre Dame, Ceramics
M.A., University of Iowa, Art History
B.A., Knox College, Art |
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Grants/Awards:
National Endowment for the
Arts Visual Artist Fellowship
American Craft Council Award of Excellence
Iowa Arts Council Artist's Project Grant
Best of Show, Feats of Clay, Lincoln Arts, Lincoln, CA |
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Collections:
Racine Art Museum,
Racine, WI
Ripon College, Ripon WI
Topeka Shawnee Public Library, Topeka, KS
Kirkwood Community College, Cedar Rapids, IA |
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Teaching:
Kirkwood Community College, Cedar
Rapids, IA
Monmouth College, Monmouth, IL
Carl Sandburg Community College, Galesburg, IL
Dickinson State College, Dickinson, ND |
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